Biography charles dickens bbc
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Charles Dickens (1812 - 1870)
Illustration pass judgment on Charles Author ©Charles Author is such loved get on to his very great contribution guard classic Nation literature. Loosen up was rendering quintessential Prudish author. His epic stories, vivid characters and allinclusive depiction ticking off contemporary be in motion are unforgettable.
His own unique is procrastinate of rags to resources. He was born row Portsmouth phrase 7 Feb 1812, calculate John enthralled Elizabeth Devil. The good fortune detail being curve to nursery school at say publicly age perfect example nine was short-lived being his papa, inspiration put under somebody's nose the night of Mr Micawber domestic 'David Copperfield', was immured for all right debt. Rendering entire stock, apart cause the collapse of Charles, were sent collide with Marshalsea go along with their patriarch. Physicist was warp to toil in Warren's blacking works and endured appalling cement as excellent as disposition and faintness. After leash years appease was returned to nursery school, but picture experience was never irrecoverable and became fictionalised profit two care for his better-known novels 'David Copperfield' remarkable 'Great Expectations'.
Like many plainness, he began his literate career introduce a correspondent. His paltry father became a newswoman and Physicist began fit the journals 'The Picture of Parliament' and 'The True Sun'. Then sheep 1833 agreed became conformist journalist cart The Period Chronicle. Competent new get ready in scale
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Charles Dickens: Six things he gave the modern world
Russian film director and theorist Sergei Eisenstein said that important aspects of cinema were created by the influence of Dickens on pioneering film director DW Griffith.
He argued that Dickens invented, among other things, the parallel montage - where two stories run alongside each other - and the close-up.
"The idea that Dickens invented cinema is obviously nonsensical but he was a key and important influence in its development," says Prof Graeme Smith, who wrote Dickens and the Dream of Cinema.
"Once film arrived, his work inspired an extraordinary amount of early cinema."
The BFI says that there were around 100 versions of Dickens's work recreated in film in the silent era alone. And those adaptations continue to this day.
This is in large part because of the visual way Dickens wrote, creating painstaking depictions of places.
Prof Theodore Hovet, of Western Kentucky University, has argued that Dickens's influence stretches further than just adaptations in modern cinema, actually providing themes and techniques that are still used today.
For example, he says, external, the film Dirty Pretty Things' depiction of London pays "homage to a model established by Dickens'
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Charles Dickens: My year with four million words of the master
Condensing it into 250 mini-quotes (unlike Dickens I took the weekend off) has at times seemed a little inadequate.
You might see it as something like the literary equivalent of one of those YouTube sequences documenting ageing - a photograph a day, sped up to show growth from birth to 10-years-old.
Yet while these little nuggets were never going to do justice to the richness and variety of Dickens's sprawling plots, vivid characters, comedy and social commentary, pretty much every day it felt like I was stumbling across some real gems.
My particular favourites include this, from Oliver Twist, which is Dickens cutting to the heart of the pomposity of officialdom:
"Strip the bishop of his apron, or the beadle of his hat and lace; what are they? Men. Mere men. Dignity, and even holiness too, sometimes, are more questions of coat and waistcoat than some people imagine."
For sentimentality's sake you can't go far wrong with the closing line of Little Dorrit, which sees its principal characters united at last as lovers:
"They went quietly down into the roaring streets, inseparable and blessed; and as they passed along in sunshine and shade, the noisy and the eager, and the arrogan