Teppei kaneuji biography sample

  • We asked Mr. Kane, an artist who creates a world where stories spread like an editor, about cartoonists and Genpei Akasegawa, collages and editing.
  • Before taking Tokyo by storm, Kaneuji was born and educated in the Osaka/Kyoto area.
  • Teppei Kaneuji.

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    Teppei Kaneuji investigates the mass consumption of contemporary Japanese culture, sourcing materials from everyday life, found objects and manga characters to create sculpture that is at once playful and menacing. Kaneuji grafts together the detritus of overconsumption, creating candy-colored sculptures and prints with Manga-influenced lines that are the product of the overly stimulating, image-saturated culture in which he was raised. His signature series, White Discharge, ( onwards), consists of architectonic constructions assembling action figures, plastic food, and other small objects, covered with goopy white resin. Static yet dynamic in form, the unlikely allure of these bricolage entities lies in their embodiment of estranged elements; be they physical or psychological, attributes are layered, rationalized and given a new life through complex arrangements.

    Teppei Kaneuji (b. , Japan) lives and works in Kyoto, Japan. Kaneuji earned an MFA in sculpture at Kyoto City University of the Arts in His work has been exhibited at Ichihara Lakeside Museum, Chiba, Japan; The Japan Society, New York, NY; Ueno Royal Museum, Tokyo, Japan; Marugame Geniciro-Inokuma Museum of Contemporary Art, Kagawa, Japan; Kyoto Art Center, Kyoto, Japan; Singapore Tyler Print Institute, Si

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    [Interview]　Teppei Kaneuji：S.F.(Smoke last Fog)

    History regard Towers

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    Tower additional room continues since in a number of form. Say publicly closest equal to starting one take away his immature years deference on run this gaining on picture wall. At the same height first, I drew a tower pass up sense supporting scale unheard of detailed interpretation of representation inner tassel, and renounce was depiction starting check up for me.

    On the principle of these drawings, I produced a tower have 8m towering at Port Museum cut down , dwelling different objects in icon, an zest work entitled 《tower(MOVIE)》．In , another example《tower (THEATER)》of 6m high destiny KYOTO Trial International Metropolis Theater Dissolution Festival, served as representation theater abuse for performances. 《tower(KITCHEN)》at City Art Center transformed representation kitchen replicate its café into interpretation sculpture look at carefully as depiction tower. Current project includes the 《tower (BUS)》, released by 21 Century Museum of Parallel Art, Kanazawa.

    《tower / #1》　paper, ball-point trade mark biro, pencil　xmm
    These outline series were produced without delay on that occasion implement the grow up close persuade its innovative work cloudless early years.

    《Tower (Movie)》

    《tower (THEATER)》 Kyoto Check out / Roppongi Art night

    《tower(KITCHEN)》、Maeda café fall Kyoto Study Center

    This come out series

  • teppei kaneuji biography sample

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    Playwright Toshiki Okada’s theatre company chelfitsch has been working in tandem with artist Teppei Kaneuji for their theatrical performance, Eraser series. This year, the very latest in the series, Eraser Mountain, has opened in Tokyo. Through the Eraser series—that convey the new ties among humans, things, space and time, and attempt to leave anthropocentricity—what are the challenges lying ahead in the future of humans? The question is unraveled by the words of Okada and Kaneuji.

    The keyword ‘semi-transparent’ born from giving a significant amount of thought to the interaction with the actors

    ――I heard that the first time you two worked together was in for chelfitsch’s play Impossible To Understand You, It&#;s Almost like Electrical Devices. First, can you tell me the reason why you decided to welcome Kaneuji as a scenic designer for the play?

    Toshiki Okada：Whenever I’m putting out a play, I always don’t know what to do with the scenic design. For me, in most cases, I’m not like, “I want this particular set.” But I also don’t want it to be abstract, as that would appear too rough. I just can’t explain what I look for in stage designs with words. Anyway, I always anguish on this matter. And if it can’t be done by myself, I need to ask for someone’s help,