Sisonke msimang biography of christopher
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Struggling for Cargo space in Christopher Hope’s The Café sell Move-on Blues, Sisonke Msimang’s Always Added Country, tolerate Tumi Morake’s And Exploitation Mama Said…: Words Defer Set Fed up Life Alight
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Always Another Country
Irgendwann dämmerte mir natürlich, dass die mit Kosenamen versehenen Figuren auch in der Realität tatsächlich gelebt haben, beziehungsweise leben und das turbulente politische und gesellschaftliche Leben von Sisonke Msimang und ihrer gesamten Familie genauso wie beschrieben stattgefunden hat. Sisonkes Vater war im bewaffneten Flügel des ANC (Afrikanischer Nationalkongress) tätig und dort im Untergrund auf der Flucht als Kämpfer gegen die Apartheid aktiv. Er war gut bekannt mit den Mandelas und befreundet mit Chris Hani, dessen Ermordung Südafrika kurz vor der Abschaffung der Apartheit fast an den Rand eines Bürgerkrieges gebracht hat, hätte Nelson Mandela in seiner Rede nicht eingegriffen und das Volk beschwichtigt.
Die Autobiografie ist aber nicht nur eine Geschichte der politischen und gesellschaftlichen Selbstbestimmung der Schwarzen Afrikas, sondern sie umfasst zudem auch noch die persönliche Entwicklung von Sisonke M
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Exile, Return, Home?
Exile, return and the politics of home are deep currents in South African literature. From Lewis Nkosi and JM Coetzee to more recent work by Zakes Mda, 20th-century South African literature is a not only a product of Apartheid restrictions but the global currents and meanderings that shaped lives, opposition politics and literary genres.
Sisonke Msimang’s Always Another Country is an autobiographical reflection on these themes. From childhood escapades in Lusaka and Nairobi, to finding her way in post-Apartheid South Africa, she reflects on both the personal and political struggles of returning home. Based around a series of narrative reflections, we move between the Zambia of ANC exiles, the NGO-expats of Nairobi, Ottawa’s cloistered suburbs, American Midwest colleges and, finally after 1994, to South Africa with its hopes and betrayals of freedom.
Msimang’s father fled South Africa in the early 1960s, joining up with the ANC underground and eventually making his way to Zambia where he met her mother, a Swazi women pursuing studies. Her childhood story begins in Lusaka, amidst the ANC exile diaspora, but moves between Kenya and Canada. Reflections from these early years are primarily about family dynamics, playground antics and sibling rivalries.