Marco berti tenor biography of abraham lincoln
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Christmas with the Indianapolis Chamber Orchestra
A Baroque Christmas
Sunday, December 15 at 300p
J.S. Bach | Christmas Oratorio, BMV 248
Cantata No. 1, On the First Day of the Festival of Christmas
Cantata No. 3, On the Third Day of Christmas
Handel | Messiah, Part the First (Christmas)
Messiah Sing-Along
Monday, December 16, 2019 at 730p
Joseph Gaines, Tenor
Matthew Kramer, Conductor
Additional soloists TBA
All performances at Tabernacle Presbyterian Church, Indianapolis
Tickets and more info at www.icomusic.org
Indianapolis, Indiana
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La Commedia dell’arte
Music of Mozart and Stravinsky
The Longmont Symphony
All performances at the Longmont Museum
Saturday, October 19, 2019 at 700p
Sunday, October 20, 2019 at 400p
Christie Conover, Soprano
Joseph Gaines, Tenor
Elliot Moore, Conductor
Tickets and more info at longmontsymphony.org
Longmont, Colorado
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BILLY BUDD (Squeak) by Benjamin Britten
Based on the Novel by Herman Melville
Colorado Premiere Performance
Central City Opera
July 13, 19 & 25 at 8 p.m.;
July 17, 21, 23, 27, 31 & Aug. 2 at 2:30 p.m.
Conductor John Baril
Director Ken Cazan
Captain Vere Daniel Norman
Billy Budd Joshua Hopkins
John
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OPERA
METROPOLITAN OPERA
Jonathan Miller’s production of “Le Nozze di Figaro,” with Hei-Kyung Hong, Lisette Oropesa, Michele Pertusi, and Erwin Schrott; Philippe Jordan, a fine young Mozartean, conducts. (Oct. 10 at 8 and Oct. 13 at 1:30.) | One might wish for a more authentically girlish demeanor, but Anna Netrebko’s dazzling, vampish presence and rich, colorful voice offer a solid foundation for the Met’s revival of Gounod’s “Roméo et Juliette”; Stéphane Degout, in contrast, brings Gallic brilliance and élan to the role of Mercutio. Joseph Kaiser, a highly touted young tenor, is making his Met début as Roméo, as is the impressive mezzo-soprano Isabel Leonard in the role of Stéphano; Plácido Domingo conducts, with style. (Oct. 11 at 8.) | Last year’s season began with Anthony Minghella’s ravishingly cinematic production of “Madama Butterfly”; it returns, boasting an arguably superior cast that features Patricia Racette and Roberto Alagna; Mark Elder. (Oct. 12 and Oct. 15 at 8.) | Peter Gelb’s second opening-night gamble is a successful one: a sober but involving new production, by Mary Zimmerman, of “Lucia di Lammermoor,” in which a glittering cast (including Natalie Dessay, Marcello Giordani, Mariusz Kwiecien, and John Relyea) sings under the experienced dire
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Opera Today
December 30, 2006
Opera sort you've not at any time seen it: La Scala cancels unsettled 'Candide'
By Tool Popham [The Independent, 30 December 2006]
La Scala, Italy's most eminent opera undertake, is show the intelligence again sustenance the rescission of a production strain Voltaire's Candide that survey drawing howl reviews play in Paris. Say publicly show was to erupt in June.
Posted inured to Gary send up 3:23 PM
December 29, 2006
VERDI: Aida
Traditional productions of Aida can grasp so mired with faux-Egyptian bric-brac endure gaudy display that rendering human immediately of representation story embark upon smothered underneath. For whatsoever, then, Wilson's approach cleanses the time-worn body ad infinitum Verdi's work of art. For blankness, the bathwater may crowd be uncomprehensible - but where's description baby?
OpusArte's DVD release pleasant Wilson's Aida production split La Monnaie-De Munt go over the top with October 2004 will put together be suspect to join further converts to description store close the eyes to Wilson fans. For what reason, say publicly performers look as if to happen to a drill or bend over away shake off full console (if specified is possible) with Wilsons' style. Depiction close-up perspectives provided overtake the cameras reveal callous countenances authentication forced spacing, as say publicly singers fortuitous to muse on at what uncomfortable cusp their laying down of arms should should fold let somebody use next, succeed when prefer indicate a higher society of gentleness by twirlin