Lytton strachey biography of martin
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Lytton Strachey
English writer and critic (1880–1932)
Giles Lytton Strachey (;[1] 1 March 1880 – 21 January 1932) was an English writer and critic. A founding member of the Bloomsbury Group and author of Eminent Victorians, he established a new form of biography in which psychological insight and sympathy are combined with irreverence and wit. His biography Queen Victoria (1921) was awarded the James Tait Black Memorial Prize.
Early life and education
[edit]Youth
[edit]Strachey was born on 1 March 1880 at Stowey House, Clapham Common, London, the fifth son and 11th child of Lieutenant General Sir Richard Strachey, an officer in the British colonial armed forces, and his second wife, the former Jane Grant, who became a leading supporter of the women's suffrage movement. He was named Giles Lytton after an early 16th-century Gyles Strachey and the first Earl of Lytton, who had been a friend of Richard Strachey's when he was Viceroy of India in the late 1870s. The Earl of Lytton was also Lytton Strachey's godfather.[2] The Stracheys had thirteen children in total, ten of whom survived to adulthood, including Lytton's sister Dorothy Strachey and youngest brother, the psychoanalyst, James Strachey.
When Lytton was four years old the family mov
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The Maurois/ Strachey relationship: a one-way admiration
As we are celebrating the centenary of Lytton Strachey’s masterpiece, Eminent Victorians, which stands as his seminal work and is more than ever considered to have revolutionized biography, I thought about the man who has invariably been seen in Great-Britain as one of his imitators1 on the Continent and wished to ponder over the two trajectories of these men, whose fates and works were linked in such a strange way. André Maurois was Strachey’s contemporary and although the two men rarely met, it is acknowledged (even by Maurois himself as we shall see) that Strachey’s works exerted a considerable influence on his career as a biographer2. I would like to try and understand why what worked so admirably for Strachey in Great-Britain did not work quite so well for Maurois in France. Strachey’s Eminent Victorians is still hailed as “the Biography that changed biography forever”3; the centennial anniversary of the publication of Eminent Victorians was the subject of a panel during the last MLA Convention in New York in January 2018. I doubt we, French people, will celebrate the centenary of any of Maurois’s biographies, yet in comparison, Maurois’s œuvre is certainly more impressive, quantitatively at least, than S