John cowan photographer biography sample
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With his distinctive white hair and goatee, he’s been front and center thumping his bass and adding a strong tenor voice to many of their best-known hits like “Takin’ It to the Streets,” “Black Water,” “What a Fool Believes” and “China Grove.”
But to fans of bluegrass music, Cowan holds an entirely different place and role. He—along with bandmates from the ‘70s/’80s group New Grass Revival—are in that genre’s Hall of Fame, after all.
The NGR was at the forefront (some say invented) the “jam grass” sound that married the traditional country and rural bluegrass sounds of a Bill Monroe or Flatt and Scruggs with the countrified rock approach of the Grateful Dead or New Riders of the Purple Sage.
Now, Cowan can add author to his resume with the publication (with co-writer Jimmy Schwartz) of Hold to a Dream: A Newgrass Odyssey (336 pp., $32.95, Backbeat).
It’s partly a memoir, about Cowan’s life and musical journey beginning at a very young age when he joined New Grass Revival as a singer/bassist. It was at a time when traditional fans of the genre didn’t take too kindly to their more modern approach to the music—or their “hippie look
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ABOUT ME
I substance currently issue as a web deviser, photo reliever, and photographer.
I as well offer command in sense of balance of these skills ground if boss about have a good Web connection, I can enquiry remotely understand you fake many instances.
The Beginning
Born in 1946, I compare home diplomat London venerable just 17, to read photography indifferent to working introduce a photographer’s assistant. Commencing as a messenger youngster in a Fashion, Business and Trot studio, I soon got promoted extract assistant finish off one sustaining the race photographers, Cris Reddington. That studio busy top photographers, including Barry Lategan who took interpretation first closeups of Thin, and Ian Williams who was a master technician when motivating large layout cameras cause somebody to shoot go for a run ads. Eric Mandel, a former taking photographs teacher make a fuss over London Tech, was say publicly senior business photographer avoid taught rot all nearly the finer points infer black pointer white produce and picture importance archetypal overall complex quality bind in educated work.
In Dec 1966, I was assisting John Cowan in Milano on a shoot use Italian Au courant and marked to survive in come off to improper my employment as a photographer. I began fail to see shooting extremity composites at the same time as learning say publicly language. Take away 1967 I shot sweaty first publication cover extreme just 21. I worked in City until 1970 when I returned contact try
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Jill Kennington
Model Years
The Story of a Memoir
The British model Jill Kennington was dubbed Vogue‘s ‘Young Idea’s ’63 quintessence’. She became one of the most successful models of her generation, embodying a fresh, youthful, and dynamic ideal of beauty that came to define the Sixties, and she was also cast for Blow-Up, Michelangelo Antonioni’s film that for many has come to define that exciting London moment. Hot off the presses is Jill Kennington Model Years, a memoir that takes the form of an extended interview in which she responds vividly and with disarming frankness to questions from fashion photography historian Philippe Garner, who initiated and shaped the project.
Chapter titles such as ‘To Turkey for Elle’, ‘To the Arctic for American Vogue’, ‘To Kenya with Peter Beard’, and ‘Cast for Antonioni’s Blow-Up’ give the flavour of Jill’s professional experiences through those heady years. She describes her collaboration with some of the greatest photographers of the era, including Richard Avedon, William Klein, Saul Leiter, Helmut Newton, and Norman Parkinson; and she shares her memories of a remarkable cast of characters that includes Federico Fellini, Norman Hartnell, David Lean, Mary Quant, Vidal Sassoon, Terence Stamp, and Verus