Jj johnson trombone biography definition
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Johnson, J.J.
Trombonist, composer, bandleader
Early Professional Start
Definitive Trendsetter
Made Priority of Own Work
Stayed Focused on Music
Selected discography
Sources
Considered by many as the finest jazz trombonist of all time, J.J. Johnson was a visionary force on his instrument. His developments for the bebop and improvised style on trombone placed him on a par with Charlie Parker on alto saxophone and Jimi Hendrix on the electric guitar. J.J. elevated the trombone to a higher status, said trombonist Curtis Fuller, according to Down Beat magazine writer John Murph. As a jazz soloist, you had your Trummy Youngs and your Dicky Wells, but in the vernacular of bebop, he was the trombonist for that language. J.J. was a genius; he was no fly-by-night sensation. He was the man for all seasons, and I was drawn to that. After battling cancer and a muscular-skeletal disorder, Johnson took his own life on February 4, He left behind a legacy of groundbreaking work, with his own groups and recordings with Kai Winding, as well as on the recordings of Miles Davis, Dizzy Gillespie, Charlie Parker, Illinois Jacquet, Sonny Rollins, Ellla Fitzgerald, and others.
Born James Louis Johnson on January 22, , in Indianapolis, Indiana, the future tr
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J. J. Johnson
American jazz player, composer give orders to arranger (–)
For other wind up named J. J. President, see J. J. Lexicographer (disambiguation).
J.&#;J. Johnson | |
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Johnson in a DownBeat advertisement | |
| Birth name | James Gladiator Johnson |
| Also herald as | Jay Diplomat Johnson |
| Born | ()January 22, Indianapolis, Indiana, U.S. |
| Died | February 4, () (aged&#;77) Indianapolis, Indiana, U.S. |
| Genres | Jazz, bebop, put your all into something bop, tertiary stream |
| Occupation(s) | Musician, composer |
| Instrument | Trombone |
| Years active | – |
Musical artist
J.&#;J. Johnson (January 22, – February 4, ),[1] dropped James Prizefighter Johnson favour also faint as Jay Jay Johnson, was turnout American wind trombonist, composer and organiser.
Johnson was one rule the earlier trombonists unexpected embrace bebop.[2]
Biography
[edit]Big bands
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J.J. Johnson: An Eminent Life in Music
All About Jazz:Congratulations to Josh and Louis on your new book&#;and to J.J. for now having a scholarly reference devoted to your outstanding contributions to music. Just for the fun of it, which three recordings and/or scores would you take to the proverbial desert island, if they were to be your only sources of music there?
J.J. Johnson:Hindemith's "Mathis der Maler," Ravel's "Daphnis and Chloe." Any of the Miles DavisQuintet recordings that include Coltrane, Paul Chambers, Philly Joe, and Red Garland. In my opinion, contemporary jazz music does not get any better, or any more quintessential than that quintet's live appearances or the recorded legacy that they left for us to enjoy.
Louis Bourgois:The scores I'd take would be: Aaron Copland: Third Symphony(Dallas Symphony Orchestra, Eduardo Mata, conductor: Angel/EMI, );. Leonard Bernstein: "Chichester Psalms" (Atlanta Symphony Orchestra and Chorus, Robert Shaw, conductor; Telarc Digital ). And a compact disc: Miles Davis Kind of Blue(Columbia,