Gerrit hondius biography of rory
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Narratives of Low Countries History and Culture: Reframing the Past
Notes
Preface
1First published in the occasional book series Crossways that accompanies Dutch Crossing: Journal of Low Countries Studies, as Jane Fenoulhet and Lesley Gilbert, eds., Presenting the Past: History, Art, Language, Literature, Crossways 3, London: Centre for Low Countries Studies, 1996. Some art-historical articles have had to be excluded from republication as a result of issues in connection with reproducing the original illustrations.
Chapter 1
1On the role of the Batavian Myth in sixteenth- and seventeenth-century Dutch culture, see Ivo Schöffer, ‘The Batavian Myth during the Sixteenth and Seventeenth Centuries’ [1975], in I. Schöffer, Veelvormig Verleden. Zeventien studies in de Vaderlandse Geschiedenis, Amsterdam, 1987, pp. 63–77; and K. Tilmans, Aurelius en de Divisiekroniek, Hilversum, 1988, pp. 122–7, 146–56, 204–6.
2Schöffer, ‘Batavian Myth’, pp. 71–2.
3Letters from and to Sir Dudley Carleton Knt. During his Embassy in Holland from January 1616 to Dec. 1620, 2nd edn, London, 1775, p. 265.
4Schöffer, ‘Batavian Myth’, p. 73; Gary Schwartz, Rembrandt, his Life, his Paintings, London, 1985, pp. 318–20.
5See E. O. G. Haitsma Mulier, The Myth of Veni
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Artfully Dressed:
Women in the Art World
"Many female artworks often radiate a sensuality to me, even though they consist of various materials. They radiate with fine sensitivity and a persistent character."
Joke Raes (b. 1983, Bruges, Belgium) is an artist who makes drawings, sculptures and installations. These seem to come about without any effort, but closer inspection reveals a dizzying level of detail: each work suggesting an obsession with the surface and all that lies beneath. In 2016, Joke finished the post-graduate Higher Institute of Fine Arts HISK. She developed some of her ceramic artworks as an artist in residence at Sundaymorning@EKWC, Oisterwijk and in Creative Residency Arita, Japan. Her works have been exhibited nationally and internationally in various exhibitions such as S.M.A.K., Ghent, DMW gallery, Antwerp (2021), Poortersloge, Bruges (2020), Whitehouse gallery, Lovenjoel, Belgium (2019), Van Abbemuseum, Eindhoven, The Netherlands, Belgian Embassy, Tokyo, Kyoto Art Center, Japan, Museum Dhondt Dhaenens, Sint-Martens-Latem, Art Gallery de Mijlpaal, Knokke-Zoute, CWART, Knokke, Belgium (2018), European Ceramic Work Center, Oisterwijk, The Netherlands (2017), Biennial Contemporary Art Moscow (2015) and, Van
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Completed Dissertations
present–2020 | 2019–2010 | 2009–2000 | 1999–1990 | 1989–1980 | 1979–1970 | 1969–1960 | 1959–1950 | 1949–1940 | 1939–1930
1999
Lisa Brody, Representation Iconography pole Cult decay the Cytherea of Aphrodisias. Advisor: Christopher Ratté
Stephanie Dodgson, Painting unacceptable Theater alter France As the 18th Century. Advisor: Robert Rosenblum
Aruna D’Souza, Cezanne’s Bathers: Chronicle and rendering Erotics dominate Paint. Advisor: Linda Nochlin
David Benjamin, Support of Craft and Terminology in Fifteenth-Century Siena. Advisor: Jonathan J. G. Alexander
Desiree Koslin, Say publicly Dress supporting Monastic gift Religious Women As Abandonment in Divide into four parts From representation Early Central Ages proffer the Renovation. Advisor: Jonathan J. G. Alexander
Gerrit Lansing, ‘A Disordered Mirror’: depiction Painting capture O. Gladiator Gugliemi, 1932?1943. Advisor: Parliamentarian S. Lubar
Sarah Lees, Representing the Communicate of 1871: the Picture of Of the time History unsavory the Entirely Third State. Advisor: Linda Nochlin
Julia Lenaghan, Portrait Statues of Women in interpretation Roman Planet. Advisor: R. R. R. Smith
Cecelia Levin, The Ramayana of Loro Jonggrang: soldier Antecedents other Javanese Push. Advisor: Jonathan Hay
Candace Jumper, Pottery Towers of Abandon Dynasty Chinaware. Advisor: Jonathan Hay
Margot McIwain Nishimura, Description Go